
(L-R, front row): Yord Fandar (Charlie Barnett), Jedi Padawan Jecki Lon (Dafne Keen) and Master Sol (Lee Jung-jae) in Lucasfilm's THE ACOLYTE, exclusively on Disney+. ©2024 Lucasfilm Ltd. & TM. All Rights Reserved.
In a galaxy not so far away, Disney+ has pulled the plug on its much-hyped Star Wars series “The Acolyte” faster than you can say “I’ve got a bad feeling about this.” The show, which promised to explore the final days of the High Republic era, has been unceremoniously dumped into the sarlacc pit of cancelled projects. But let’s be honest – are we really surprised?
From the get-go, “The Acolyte” felt like a project searching for an audience. Set in a period of Star Wars history that casual fans need a Wookieepedia page to understand, the show seemed destined to appeal to a niche within a niche. It’s as if Disney looked at the vast, rich tapestry of Star Wars lore and decided, “You know what people really want? Political intrigue from an era no one’s heard of!”
The characters were described as “enigmatic” which, in Hollywood speak, usually means “we haven’t fully developed them yet, but doesn’t that sound cool?” It’s like they were playing Star Wars Mad Libs to create the cast.
While details about the show’s plot were scarcer than water on Tatooine, what we did know raised more questions than answers. A Sith-centric story set in an era when the Sith were supposed to be in hiding? That’s like making a show about Bigfoot working as a barista in Seattle – intriguing, but it kind of misses the point.
The promise of exploring the Dark Side seemed exciting until you realize it’s Disney we’re talking about. Their idea of “dark” is probably about as edgy as a Porgs’ tea party.
Rumor has it that the budget for “The Acolyte” was high enough to buy a small moon (or at least a large asteroid). Yet, somehow, early previews made it look like they spent all that money on light sabers and forgot about everything else. It’s almost impressive how they managed to make a futuristic space setting look like it was filmed in the backlot of a community theater.
“The Acolyte” joins the growing graveyard of Disney+ Star Wars projects that were announced with fanfare and cancelled with a whimper.
“The Acolyte” joins the growing graveyard of Disney+ Star Wars projects that were announced with fanfare and cancelled with a whimper. It’s becoming a rite of passage for Star Wars shows – get announced, generate buzz, disappoint executives, get cancelled. Rinse and repeat.
At this point, Disney+ is treating Star Wars shows like Spinal Tap treats drummers. They spontaneously combust, but no one knows why.
In the end, “The Acolyte” represents a larger problem with Disney’s approach to Star Wars. They’re so busy trying to fill every nook and cranny of the timeline that they’ve forgotten what made people fall in love with Star Wars in the first place – compelling stories, relatable characters, and a sense of adventure.
Instead, we’re left with the ruins of yet another project that promised to “expand the Star Wars universe” but ended up feeling like it was made in a galaxy far, far away from what fans actually want.
As for the future of Star Wars on Disney+? Well, there’s always another show on the horizon. But at this rate, fans might start wishing for the days when all we had to worry about was whether Han shot first.
May the Force be with the next showrunner who thinks they can crack the Disney+ code. They’re going to need it.